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Thou art highly exalted over all gods. Hate evil, O you who love the Lord, Who preserves the souls of His pious ones; He rescues them from the hand of the wicked.

Light is sown for ihe righteous. And rejoicing for the upright of heart. Rejoice, O ye righteous, in the Lord, And celebrate His holiness in praise.

Lo Sevoishi Composed for the Cantor by I. Skliar Be not ashamed neither be confounded. Why art thou cast down, and why art thou disquieted?

The poor of my people trust in Thee, and the city shall be builded on her own mound. Spread over us the tabernacle of Thy peace; direct us aright through Thine own good counsel; save us for Thy name's sake; be Thou a shield about us: remove from us every enemy, pestilence, sword, famine and sorrow; remove also the adversary from before us and from behind us.

O shelter us beneath the shadow of Thy wings; for Thou, O God. Observing the Sabbath throughout their generations As an everlasting covenant.

It is a sign between Me and the children of Israel forever That in six days the Lord made heaven and earth And on the seventh day He ceased from his labor and rested.

Sanctify us through Thy commandments, and grant our portion in thy Torah; satisfy us with Thy good- ness and gladden us with Thy salvation.

Make our hearts pure to serve Thee in truth. Blessed art Thou, O Lord, who hallowesi the Sabbath. Sholom Alcicheni Composed by H. Tanchuni Golub Through the synagogue windows two Talmud students hear a wedding celebration.

One looks away from his Talmud. He loves the bride in secret, and thus he despairs. Vchulai Sbaret Perhaps it was only a dream. Kineret, my Kineret.

The earth, desolate so long, resounds to singing. The new pioneers come to make the land again yield beauty and richness. Ay Ay Ay Freire If your heart does not shelter love for me, do not tell me.

My heart dies of cold because your heart of stone does not shelter it. And the air was mild and fragrant. My hour is fleeting.

How cruel is death. Ah, Life was never sweeter. I wish that I were a cup, so that when you raise it to your lips you will be kissing mine.

Morali - H. Belolo - V. Bridges - S. Morali - V. Willis P. White - A. McKay - A. MacLellan 2. Rota 5. Merian 6. Kristofferson 2. Fels 6. Leon Merian and his nine sidemen has, in this album, approached a basically jazz idiom with his own inherent enthusiasm and creativity.

With the help of his friend Gordon Fels, a young and upcoming arranger on the scene, you will agree he has made the group sound like twice that number.

Leon Merian is the kind of musician who believes in himself, his instrument and his group. However, I also think that the influence of rock music and pop music on jazz is actually saving jazz for the simple reason of its beat.

Associating jazz with pop music is healthy and I might even say necessary to it. I don't think that it is necessary to lower our artistic abilities.

We can still keep up our standards and still reach a great deal of people. I believe that this eclectic combination of pop and jazz is healthy both musically and economically.

As a matter of fact I think that pop jazz that is contemporary music which swings has a great potential in the very near future— as big if not bigger than rock and roll.

He aided boys in prison, and others who went off to war. In his little store he had a carpet where he often knelt to pray for troubled people.

A severely crippled man, one day he prayed for relief from his own pain. He felt a great warmth, then rose and shouted for joy.

The pain was gone. He could walk with ease again. Bonilla 2- Cuento Chino - Vais J. Mejias 3- Amorcito Mio - Bol.

Cruz 4- El Borrachito - Guar E. Gomez 5- Carta Fria - Bol. Rivera 2- Pecados en la Vida - Vais J. Cruz 3- Esperanzas Perdidas - Pasodoble M. Rodriguez 4- Casualidad - Bol.

Cruz 5- Te has Equivocado - Chac. The villagers hide iheir food 1. The three soldiers 1. The tiger at the foot of the tree 2.

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The little squirrel Xi'T 6. How good the soup lasted 6. The little bird 8. Hurray for stone soup 7. Waiting for the camel 7.

Lentil couldn't 2. He practices the harmonica 3. The fox catches Chanticleer to school 5. The widow gives chase 5.

Bringing the cats home 5. A very homely little kitten 7. The kitten in the house 8. The most beautiful cat in the world w 3.

No steam shovels wanted 4. Popperville 5. They begin to dig 7. Building the town hall 8. The cutest little tugboat 7.

Home to bed Morion 6. The boy catches Ping 6. The bear in the trap 1. Johnny Orchard 5. The little bear grows up 2. He began his cello studies with his father at ans.

In convoite Prix Avery Fisher en 1 He was awarded the Alors que le concerto pour violoncelle et orchestre en re majeur highly-coveted Avery Fisher Prize in 1 Celui en re the Concerto in C Major for Cello and Orchestra is a compara- majeur fut longtemps a ttribue a leleve de Haydn Anton Kraft, et il fut meme arrange a la Fin du XIXe siecle par le compositeur et musicologue beige Franqois Gevaert, gprei avoir ete soumis a une transcription pour flute et orchestre, dans la premiere n decennie du XIXe siecle, par I'arrangeur allemand par excel- i S j.

Haydn lui-meme inclut deux concertos live newcomer to the ranks of concertos for cello. But then, both Cello Concertos by Haydn have had checkered careers.

The D Major for many years was attributed to a Haydn pupil, Anton Kraft, and it was even " arranged " i the late nineteenth century by the Belgian composer and musi- cologist Frangois Gevaert, after having been submitted to a version for flute and orchestra by a German arranger p ar ex- cellence Carl Friedrich Ebers in the first decade of the nine- pour violoncelle en ut majeur dans un catalogue de ses oeuvres teenth century.

Ce nest The C Major, on the other hand, lay unplayed for almost 9 u ' en , Q ue ,es parties d 'orchestre du present concerto en two hundred years.

Haydn himself had listed two C Major cello ul ma i eur furent decouvertes dans le Fond Radenin du Musee concertos among a preliminary listing of his works as early as National de Prague par le musicologue t cheque Oldfich Pul- but neither surfaced among his published works.

Beide Konzerte des gro den Haydn hatten eine bewegte Geschichte. Das D-Dur-Konzert wurde viele Jahre long dem Haydn-Schuler Anton Kraft zugeschrieben, und im spaten neunzehnten Jahrhundert wurde es von dem belgischen Kom- ponisten und Musikwissenschaftler Francois Gevaert sogor "or- rangiert," nachdem es im ersten Jahrzehnt des neunzehnten Jahrhunderts von dem deutschen Arrangeur p ar excellence Carl Friedrich Ebers in eine Fassung fur Flote und Orchester umgeschrieben worden war Das C-Dur-Konzert blieb seinerseits fast zweihundert Jahre long ungespielt.

Haydn selbst hatte schon zwei C- Dur-Cello Konzerte in die varlauFige Liste seiner Werke eingetra- g en; keines jedoch erschien unter seinen veroffentlichten Wer- ken.

Georg Feder. Diese Einladung wurde auf Empfehlung Pablo Casals' ausgespro- chen, und seif diesem Konzert is t Yo-Yo Mo in seiner Karriere mil den bedeutendsten amerikanischen Orchestern aufgetreten, u,a, mil den New Yorker Philharmonikern und den Sinfome- l T i nee , when the extraordinary young cellist YO-YO MA was invited to appear in "The Ameri- can Pageant of the Arts on national television with Leonard Bernstein conducting an invitation proffered at the recommendation of Pablo Casals , his American career has in- cluded appearances with major American orchestras such as the New York Philharmonic, the Chicago Symphony, the Los Angeles Philharmonic, the Pittsburgh Symphony, and the Bos- nationale invitation due a la recommandation de Pablo Orchestern von Chicago, Los Angeles, Pittsburgh, Boston und Casals , so carriere americaine l a vu collaborer notamment Philadelphia.

Ses tournees nationales et Internationales ont in clus egalement de nombreux recitals en so liste, ainsi que des concerts de musique de chambre.

II a commence ses elude de violoncelle avec son pere 6 I age de qualre ans, el donne son premier recital a I'lnstitut Leonard Rose.

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Standing behind the group is Mina "Shorty" Kolb. Maybe you're the kind of independent soul who could— and should— be out knocking heads, re-distributing the wealth and depriving people of their right to life for The Family.

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Your lesson in "Creative Loansharking" is what did it for Mr. Now that you've taught me the basics, simple things like buying a gun and then ac- tually pointing it at someone.

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That's why wc always have plenty of time to signal the police and nab them in the act. Still not convinced?

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Emphasis on recognizing symptoms of total death. How to set up a hit. Where to set up a hit. How to avoid becom- ing a hit in case yon miss. How to read bus and train schedules.

Some field work in multiple hits required. Students are expected to learn the assembly and dis- assembly of the basic H-l type human being.

How to avoid overkill. Problems of neatness, cleaning up and disposal are discussed. Ill connection with this, a booklet, entitled "Major Bodies of Water.

Rub-outs are discussed in a special lecture. The Kiss of Death-how not to get emotionally involved. How to respond to the Soul Kiss of Death.

Should you kiss on your first hit. Ox explores threats as a viable alternative to enforcement tech- niques. Discussed will be the importance of appearance to an effec- tive threat.

Conveying your meaning in the fewest words possible. The value of the phrase "or else" is fully explored. Course ends with a brief summary of pain thresliholds and the body's pressure points.

Leaning— against walls and on people. How far should you go? Pre- marital leaning— should it be allowed?

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The leaning tower of Pisa. Who did it? Weapon fee required This is a one-time course given to advanced students.

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What is function of the silent partner? Assuming the life mortgage. Becoming a small entrepreneur. What we can learn from the ordinary credit corporation about interest.

A course introduced by popular demand. Historical origins of Black crime. The validity of Black gangsters for Black communities is discussed.

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Theoretical "approaches" are acted out by students as guest police officers are invited to play out their roles in the classroom.

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The body must be ready to meet the grueling demands of many hours of hanging around, silting, standing, driving, etc.

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Crazy Gang Productions. Printed in U. The following agreement, hereinafter referred to as the basic con- tract, shall constitute an understanding between the party of the first part, hereinafter known as the contractor or assignor, and the party of the second part, hereinafter known as the contractee or assignee, and shall be an agreement that the assignee accepts for a sum of money, an assignment to hit, with a weapon of defin- itive force acceptable to both parties and in such a way.

It is further noted that the agreement be considered binding in that should the hittor fail to complete the assignment, he is liable to be bound and thrown into the nearest river at the discretion of the con- tractor.

It is further understood that the contractor has the option of the hittor's services in exclusive perpetuity and should the hittor object to such terms, the hittor shall never object again.

Duly signed and authorized by the power vested in me as the sole representative and spokesman for I hereby affix my solemn signature to this agreement in his name.

BY Agreed on this day. Cheating is not allowed. It is encouraged. You have twenty minutes or as long as you want to complete the exam.

Start now! What is usually used to reinforce concrete? Sand b. Steel c. A squealer 2. How do you graciously decline the offer you can't refuse? With difficulty b.

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A Negro appendage limb b. The forerunner of The M c. Is your insurance paid up? This is a tricky question 1 0. A football term b. The last thing you say to your victim.

Which of the following people are your friends? Patrolman H. Kuff b. Alderman Shukat c. Judge Grebnief d. Congressman Curr e. All of the above What is machismo?

Chutzpa b. An Italian pistol c. Your guess is as good as mine. For Loansharks Only: How much is 6 and 9?

Tlte body must be ready to meet the grueling demands of many hours of hanging around. With this in mind we ask order each student to participate in some of the following programs: Intramural Waiting: Helps control fidgeting and anxiety.

Crazy Gang Productions, Inc. Notes by John Boni. HIT CONTRACT The following agreement, hereinafter referred to as the basic con- tract, shall constitute an understanding between the party of the first part, hereinafter known as the contractor or assignor, and the party of the second part, hereinafter known as the contractcc or assignee, and shall be an agreement that the assignee accepts for a sum of money, an assignment to hit.

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Not unless you have terminal cancer 3. Who was last year's Syndicate Poster Boy? What are good odds? Three to one c. Seven to three b. Eight to six d.

In what state is the Tomb of the Unknown Gangster located? There is no such thing as The M 7. If you filled in the answer to Question 6, you should be dead by now.

A Negro appendage limb b. The forerunner of The M c. Is your insurance paid up? This is a tricky question 1 0. A football term b.

The last thing you say to your victim. Which of the following people are your friends? Patrolman H. Kuff b. Alderman Shukat c.

Judge Grebnief d. Congressman Curr e. All of the above What is machismo? Chutzpa b. An Italian pistol c. Your guess is as good as mine.

For Loansharks Only: How much is 6 and 9? Tlte body must be ready to meet the grueling demands of many hours of hanging around. With this in mind we ask order each student to participate in some of the following programs: Intramural Waiting: Helps control fidgeting and anxiety.

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Silverball 5. Music Man 2. Born A Lady 4. Journey 5. Unauthorized duplication is a violation of applicable laws.

LW North P 0. Box His new album is a clean, contemporary success. Not for sale. There is no dull bureaucratic type copy here; most of the program is straight entertainment.

But the series can also bring an important message to the young people in your community. The message is this: Think about a career in the health field.

Many of our communities need more physicians, nurses, dentists, technicians and health workers of every kind. But we ll never have the necessary health man- power unless more young people from your community set their sights on these careers.

Listen to the enclosed demonstration record. I think you'll find it's good entertainment in the service of an important cause, and I hope you'll consider including it in your programming.

I would be glad to hear from you with any comments you might have about the series so that we can keep improving it in the future.

Our message: Think about a health career — and don't worry about money for school. You can get help to pay for a health career education.

We're offering your listeners a booklet that tells all about it. And we're offering you 13 programs that will bring your audience the best in the soul sound from coast to coast.

Five programs are included in this package. After you listen to this demonstration disc, we hope you'll agree with us that "The Sound of Soul" is worth a regular spot on your programming schedule.

Dale Lear Congas 8i Percussion: l. California r I! As I grew older. I was told that I looked absurd Trying to act like a bird and then my nest fell Well, I cried into the night Knowing I 'd never make the flight When I was a young girl, I would try to act very good Doing the things that I should to make it to heaven As I grew older.

I was stumbling through he dark Searching to find a spark of life within me He sang. I love you! To live with Him eternally, then He set me fly ing Well.

His leaves shall never whither, And all he does shall succeed, For the Laird guides the steps of a godly man Grateful is the man who has given his heart to the Lord Tender is the man who has yielded his life to the Lord All those who know Your mercy, Lord, will count on You for help.

For You have never forsaken those who trust Oh Lord. I will praise You with all my heart. And be glad. Blessed is the man who has given his heart to the Lord Joyful is the man who learns to rest in the Lord.

Grateful is the man who has given his heart to the Lord Tender is the man who has yielded his life to the Lord.

Jesus I Believe 2 22 Just yesterday morning I was blue. Feeling so helpless, then I turned to You.

You tenderly told me I could trust You because you love me You gave me Your joy. So I II lay my burden dow n and take Your hand Come look at the new gleam in my eyes Come look at the new hope deep insule my heart, Do I need to tell you why I m smiling, no longer crying?

Do y ou know who chased my blues away? Chorus Jesus I lielieve that You will meet my every need. The sorrow I feel deep inside ine Cause it's so hard to conceal.

The little girl in me that's crying For the limes I ve been cruel to the ones I should love, Disobeying the w ishes of my Father above.

It s such a big risk to take. Because that s not what I m looking for. Cause if we both want to grow, Its gonna take more than sympathy, Well, let s be open and honest and let Him follow through.

With all the transforming that He s promised to do. King of the Universe We gladly praise You. As You join these two into one You've clearly shown the nature of Your love.

It's the intent of Your will Our lives You long to fulfill Great lie the joy- you bestow. Upon this holy union. We pray You'll strengthen their faith Chorus Great be the joy you bestow, Upon this holy union.

When we all come together, In the beauty of the Lord. To a Holy life He's promised to sustain. I lie possession you hold dearest , Cause in the end it's gonna bum Ob when you've been slapped backhanded.

Over things you've never done, Don't let anger overcome you. Share the blessings you've beengiven. I ly His life we are complete Everything He has.

I le s given. Whatever is true. Whatever is lovely anti worthy of praise l-et your mind dwell on these things. Let your mind dwell on these things.

Let your mind dwell on these things Love Not the World Love not the world, Please be careful w hen it haunts y ou Give not the world, When it offers all its pleasures for what seems so sweet in the tx-ginning.

Can be so bitter in the end I II have to admit. I envy you You really draw the crowds and turn their heads You gel all the breaks I d like some too.

Because you know. I want to make the big time Chorus I pity and love you all at the same lime I hese feelings tear me up inside. And sometimes I d like to have the things Then I remember what Jesus said Chorus Sometimes your values look attractive to me.

And iust when I'm about to dive. I find myself confused. Chorus: So. And I w ill walk in Your truth Unite my heart to praise Your name. If I lake the w ings of the dawn You'd still find me You have searched me.

Pohadka fi pravda. Take jsme hribky sbirali, luze pohmoidili, poslapali, protoze. Co vsak hubfnek, co v? To bvl den po nasi svatW.

Kdvbv ne much. Aprecesu rad. Jak je lesdivukrasny! Chestnut-coloured topknot - trim as a young lass!

Stroking ike dim stem tifu fungus Is it a fairy story, or reality Reality — ora fairy story - ' How many years have gone by since we strode along, two youngsters — she like a young fir tree, he like grey spruce?

In those days, too, we gathered mushrooms, spoiling lots of them, treading on them, because. But oh, how many kisses, how many kisses we collected!

That was the day after our wedding, oh God, the day after our wedding! He reaches the top of the bank, sits down with his gun against his knees.

And yet I love it when the sun comes out of an evening. How wonderful the forest is. When the fairies come home again, back to their summer haunts, they'll frisk along in their shimmies when may arrives, and love!

They'll greet one another, weeping with the excitement of seeing each other again. Revim Ik sc nadzvih ne :e sn u. Ale neni tu BystrouSky!

Malinkd liflitka pfihfhne aJ k rev mikovi Hie, tu je! Malifka rozmazlena! Rospfdhne nice, ate tachvti skokunka.

Zvirata se ze itmulosli probiraji Eh, ty potvoro studena, kde se tu bereS? Skokanck Totok nejsem ja. Oni mnfovas onimneovas ve-ve-vekladali.

Revimlkovi spadne v zapomenuli pus ka naze m. Text reproduced by kind permission of Universal Edition. He falls asleep, smiling.

The tree-branches divide, revealing in the background the old mountain-ash, an owl, a dragonfly and all the animals of Act One the Gamekeeper starts up from his sleep.

A liny foxcub scampers up to him. Why, here she is! Spoilt little thing! Funny-face — - spit image of her mum! Just wait. He stretches his arms out, but only catches — afrog.

The animals come lo life. Hey, you clammy bugger, where have you come from? Frog I'm not thesameone! That was grandpa.

Theyt-t-toldme all about you; they t-t-told me all about you! Absentmindedly the Gamekeeper lets his gun slip to the ground.

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Cjjr This reminds me of old times. Aiwa pointing to the fireplace : Here! I turned the front towards the fireplace. Lulu You haven't looked at it since I have been gone?

The Countess would have liked to hang it in her apartment, but she was afraid that her rooms might be searched by the police! And now the poor wretch is in prison in my place!

Side 6 I still don't understand how every- thing happened. Lulu Oh, the Countess arranged it all very cleverly: I am lost in admiration of her inventiveness.

There must have been an appalling cholera epidemic in Hamburg this year and this formed the basis of her plan for my liberation. She took a course in nurs- ing and when she had the necessary certificates, she went to Hamburg and nursed cholera patients.

Then, at the first opportunity which presented it- self. The same morning she travelled back here and came to see me in my prison cell.

Then, when the wardress went away for a few minutes, we quickly exchanged our underclothes. Aiwa So that was the reason why you and the Geschwitz both fell ill with chol- era on the same day.

Lulu Of course! That was the reason. And so it came about that we lay side by side in the same room in the isolation ward behind the hospital and the Countess used all her arts to make our faces as like each other as possible.

The day before yesterday she was declared cured and discharged. But she came back, saying that she had forgotten her watch.

I put on her clothes and she slipped into my prison garb, and then I went away. And now she is lying there as the murderess of Dr Schon.

I putting her portrait bock on the cnacl : It is still your likeness. But I have become thinner in the face. You looked terribly ill when you first Das erinnert an vergangene Zeiten.

Trinkt, sich dnbei Im Zimmer umschond : Wo ist donn mein Bild? Aiwa Hier! Ich habe es mit der Vorderseite gegen den Kamin gelehnt.

Du hast es nicht angeseh'n, waehrend ich fort war? Aiwa Die Geschwitz haette es gern in ihrer Wohnung aufgehaengt, aber sie hatte Hausdurchsuchungen zu gewaertigen!

Nun kommt das arme Ungeheuer statt meiner ins Gefaengnis! Side 6 Ich begreife noch jetzt nicht, wie die Ereignisse eigentlich zusammenhen- gen. Lulu O, die Geschwitz hat das sehr klug eingerichtet: ich bewundere ihren Erfindungsgeist.

In Hamburg muss diesen Sommer doch die Cholera so furchtbar gewuetet haben. Darauf gruendete sie ihren Plan zu meiner Befreiung.

Sie nahm hier einen Kran- kenpflegerinnenkursus, und als sie die noetigen Zeugnisse hatte, reist sie da- mit nach Hamburg und pflegte die Cholerakranken.

Bei der ersten Gelegenheit, die sich bot, zog sie dann die Unterkleider an, in denen eben eine Kranke gestorben war, und die eigentlich haetten verbrannt werden muessen.

Am selben Morgen reiste sie noch hierher und kam zu mir ins Gefaengnis, in meine Zelle; als die Aufseherin draussen war, vertauschten wir beide dann rasch unsere Unter- Das also war die Ursache, weshalb die Geschwitz und Du am gleichen Tage an der Cholera erkrankten?!

Das war der Grund. Aber mit mir wusste man auch nirgends anders hin. So lagen wir in einem Zimmer in der Isolierbaracke hinter dem Kran- kenhaus.

Vorge- stern wurde sie als geheilt entlassen. Eben kam sie nun wieder und sagte, sie habe ihre Uhr vergessen. Ich zog ihre Kleider an, sie schluepfte in meinen Gefaengniskittel, und dann ging ich fort.

Vergnucgt : Jetzt liegt sie dort drueben als die Moerderin von Dr. Aber im Gesicht bin ich doch schmae- ler geworden.

Du sahst schrecklich olend aus, als Du hereinkamst. Your eyes shimmer like the surface of the water in a deep well into which a stone has been thrown.

Do I repel you? They do not detract from your charms. I do not love you any the less for that. A kiss! Bend your head back!

Lulu gaily : How I wish to God that I were such! Then we can see each other as often as we wish. Aiwa Through this dress T can feel your body— it is music.

Then will you come with me today? Will you come?! Aiwa You have robbed mo of my reason, buries Ills head in liar lap. Is that still the sofa -on which— your father— bled to death?

Lulu Komm! Sie zicht ihn neben sich auf den Diwon. Lulu Graut Dir vor mir? Sich ihm wieder inbruenstig naehemd und ihn leidenschaftlich kuessend.

Aiwa Oh! Das beeintraechtigt Deine Reize nicht. Lulu Ruhig! Deswegen liebe ich Dich nicht weni- ger. Einen Kuss! Sic kucsst ihn mit Bcdacht.

Aiwa Wenn Deine beiden grossen Kinderau- gen nicht waeren, muesste ich Dich fuer die abgefeimteste Dime halten, die je einen Mann ins Verderben ges- aufgeraeumt : Wollte Gott, ich waere das!

Vergraebt ihre Haende in sein Haar : Komm mit mir heute ueber die Granze! Dann koennen wir uns sehen, so oft wir wollen.

Kommst Du! Ist das noch der Diwon, auf dom sich -Dein Vater— vorblutet hat? Dus musste ich, um uns den Athleti n vom Hals zu schaffen. Aiwa Be silent— Bo silent.

Curtain Aiwa Schweig- Schweig. Groove Shape: "V" - may be played with any microgroove stylus; diamond pref. Stereo vs. Without stereo, no control can be excercised by user over relative loudness balance bet- ween music and sound.

Volume Level: is not to be raised to a painfully loud point. If cord and controls are used as below earphones , a limit on available volume may be set on the volume control of the playback machine.

The equipment should play back a standard frequency test rec- ord such as the Cook Series 12 RIAA with no more than 2 db electrical error as measured at the power amplifier out- put with an output meter from - 5, cps.

However, a more positive and predictable function results from properly designed earphones. Ear- phones designed for use in the communi- cations and entertainment fields are not always suitable for analgesia applications.

This is because the designs were not pre- dicated on the necessity for having high intensity linear power capabilities white sound , or particularly peak-free high frequency response.

Neither of these con- ditions interferes with the function of com- munications. Earphones having high fre- quency response peaks can be dangerous from the standpoint of ear damage when operated at high analgesia levels.

Ear- phones having limited power capability can only produce masking, and involuntary analgesia will not occur. Earphone Types: Moving coil dynamic type preferred.

Foam rubber cushions required. Impedance should be similar to loudspeaker impedance of machine used. Effectiveness of the procedure wiU depend entirely on the quality of earphones and other equipment.

Earphone Procedure re Amplifier Adj. For amplifiers with a very large power capacity, this limit may be exceeded. The figure specified assumes that earphones hav- ing an impedance of about 5 ohms per ear are used.

A tumultuous assault of meaningless and unconnotative information is brought to bear on the auditory nerve by analgesic white sound.

When sound and music of this complexion are propagated through any reasonably wide range high fidelity music system, there is a very discernible calming effect when experienced for peri- ods of time minutes and up, depend- ing on individuals.

Strong rhythmic ingred- ients help. Some proven functional music is embodied in a group of five records in this listing.

When played on the best equip- ment, they are entirely capable of produc- ing full analgesia. The number of plays possible before the recorded white sound deteriorates will be limited principally by the quality of design and construction of the particular cartridge used to reproduce it.

White Sound - - not quite white White noise is the electronic cloth from which is fabricated the white sound curtain.

An oldtime electronic entity which is unique in itself, white noise when reproduced acoustically sounds somewhat like the com- bination of escaping steam and a blowtorch, all in one, and like white light is character- ized by a uniform energy distribution vs.

In a prac- tical sense, it is derived either from an electronic or gaseous plasma, as existant in a diode in the one case or a gas tube in the other.

Technically, white sound differs from white noise principally in the redistribution of its energy content vs. This is done in such a manner as to engage with uniform stimulation all or most of the auditory nerve fibers, and to avoid overstimulation of any one group as compared with others.

One important property of white noise which distinguishes it from other a-c elec- trical signals is its enormous peak-to-aver- age ratio.

As viewed on an ordinary oscillo- scope it resembles a grass lawn together with its mirror image where the individual blades of grass grow quickly and constantly each to an individually different height, some very much higher than others, and then die down.

In high quality noise, indi- vidual blades, particularly those which pro- trude well up beyond the median average height are thin, i.

The importance of preserving the total quality of the white sound signal can not be over- stressed in the successful implementation, and when put together with the other aspects of tailoring, such as energy redistribution, must account for the fact that the analgesic effect has not been encountered accidentally before, through many years of electronic sophistication.

To achieve and maintain this may require effort and attention on his part. Whether the application be one of combat- ing Insomnia or tension headache or for analgesia in any other respect, the strategy is similar.

The playing of a game or focus- ing of attention on some particular aspect of the listening is important, since it tends to disrupt the pattern-seeking which is characteristic of the several conditions.

The subject should first determine at what loudness level the white sound is loud but comfortable, and then adjust the controls so that the music is barely audible.

Only a few minutes of effort and concen- tration on the part of the subject are usually required before the analgesic effect begins to take place.

Success in accom- plishing analgesia is often indicated by day- dreaming. Experimental sessions with white sound for the purpose of satisfying curiosity, etc.

This may be true in the subjective sense, especially in the absence of an uncomfortable outside stimulus. It is very important for the subject to remember to remain relaxed.

As analg- esia progresses throughout the session, memory per se will become more and more efforted, and of course at this point remem- bering will become less important.

Focus of attention on the area of discomfort can not occur, with the aid of white sound, if relaxation is maintained. In this respect, white sound is the antithesis of hypnosis.

Volume level should never be turned to a painfully loud point. Posture Whether earphone or loudspeaker repro- duction is used, the physical posture while listening must be reclining in order to per- mit relaxation.

It is suggested that a bodily tilt not fully horizontal be assumed. In the case of loudspeaker use, the head should be positioned as closely as possible to the speaker or speaker grille, and in the case of a stereo system, the speaker chosen should be the one which is carrying the white sound, not the music.

Music thus will be listened to through the curtain of the white sound. In the case of earphone use, employing controls as suggested in the cir- cuit given here, the result will be monopho- nic when played thru a stereo machine into the device, and both music and white sound should be heard in both ears.

Stamford, Conn. This is a double-edged disadvantage, however; many patients express distaste for the microphone method any way, prefer hand signals.

With Microfusion White Sound Recordings he will be able to supply you with an audio analgesia apparatus at reasonable cost. Order your Microfusion analgesia recordings today.

They are a first class, tested method and source of audio analgesia, and have probably served at more elevations and extractions without parenteral or other prelim- inary preparations 3 than any other medium of audio analgesia.

Send also for the Audio Analgesia booklet listed on the enclosed business reply card. CAUTION: Playback machine should either be mechanically grounded, or a-c plug of playback machine should be reversed if necessary to be sure electric shock is not received between chassis of playback machine and other apparatus frames.

It is of the "compatible" type. Without stereo, no control can be exercised by user over relative loudness balance between music and sound. Magnetic diaphragm type specifically not recommended.

Effectiveness of the procedure will depend entirely on quality of earphones and other' equipment. If cord and controls are used as below , a limit on available volume may be set on the volume control of the playback machine.

SUBJECT: Subject should clearly understand one point; the purpose of this is to help him maintain a state of relaxation both mental and physical, that to achieve and maintain this may require effort and attention on his part as well.

Subject should constantly keep in mind the idea of "going limp" and staying that way. The volume control knob is his defense against acquiring tension in the face of discomfort.

He should be told that the White Sound or waterfall is the more important ingredient of the record in that regard, and to "play a game", seeing how low he can operate the music volume under the white sound and still keep track of the melody and rhythm of the music.

Frequencies over , cps are unnecessary and should be attenuated if convenient. Beasley, W. Zeit- Bchrilt, August , p. Fletcher, H.

Modem Phys. Van Nostrand Fletcher and Munson, Relation between Loudness and Masking, 7. Steinberg, J. Stevens, S. Hearing, Its Psychology and Physiology.

John Wiley. Trflger, J. Zeitschrift, January , , Ear, Phys. Wever, E. Wright on. Macmillan, London Zurmuhl, G.

Ur Sinnesphysiologie, August , p. Libois and M. Grit and G. Stevens, J. Cobine and J. IRE, Vol. Blackman and J.

The auditory approach to analgesia involves the impressing, under control of the subject, of high energy white sound on the auditory pathways either through the use of earphones or by other means such as loudspeakers at close range.

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Edit Cast Series cast summary: Huma Qureshi Shalini Pathak 6 episodes, Rahul Khanna Rizwan Chowdhury 6 episodes, Siddharth Bhanu 6 episodes, Leysha Mange Sapna 3 episodes, Seema Biswas Madhu 3 episodes, Arif Zakaria Iyer 3 episodes, Anupam Bhattacharya Mohan Rao 3 episodes, Akash Khurana Rao 3 episodes, Manisha Methri Roop 3 episodes, Prasanna Soni Ashish 2 episodes, Tarun Arora Council Member 3 2 episodes, Sachin Kathuria Raja 2 episodes, Aman Kumar Repeater 1 2 episodes, Gayatri Sharma Instructor 2 episodes, Indu Sharma Dixit 2 episodes, Faisal Simon Anil 2 episodes, Hema Singh Paul Walker 1 US-amerikanischer Schauspieler.

Will Smith 1 amerikanischer Schauspieler, Filmproduzent und Rapper. Chuck Palahniuk 56 US-amerikanischer Autor.

Rick Riordan 5 US-amerikanischer Schriftsteller. Colette 7 französische Schriftstellerin, Kabarettistin und Journalist… -

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